A / 影片叙事和人物以及三条线间的关系就像开头的枪与旷野中的猎物一般东北往事第二季始终处于一种漫不经心的摩擦/追及/错失的迷离状态其中潜流的张力让看似分离且生死更迭的人物仿佛是同一张卷轴的自然舒展无形中完成了相互的言说甚至是心理重叠看完只想感慨《爱丽丝梦游仙境2》输得不冤……
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Dismantling the categories while being bound to them at the same time. They are no spectacles, one deems them so are too privileged to identify with them.